The Gay Divorcee
Brilliantly funny, heart-warming and filled with bittersweet observations, The Gay Divorcee is a hugely entertaining tale of love, marriage and the lies that happen in between.
Phil Davies should be happy. He has a flourishing bar in the heart of Soho and in six months he will be marrying Ashley, the man he adores (even if his nickname is 'The Incredible Sulk'). In short - he's living every gay man's dream. There's just one problem: Phil has been married before, seventeen years ago. To a woman. In fact, technically Phil and Hazel are still married. And what Phil doesn't know yet is that Hazel has a seventeen-year-old son. But that's all about to change...
“A great read. So much so I read it in one day” - Lorraine Kelly
“Bitchy, funny, acute and moving” - Suzanne Moore
“Burston’s best book by far” - Christopher Fowler
Martin is kind, decent and good-looking. And look where it's got him. His boyfriend of four years has run off with a male prostitute. His friends are no help - John prefers infamy to sympathy and Caroline suspects that her wonderful, sensitive boyfriend is a closet case.
To escape, Martin jumps head first into hedonism, throwing himself into the gay club scene, a world of drugs and muscles, hard bodies and harder music. Meanwhile Caroline is learning that being Shameless has its price, and so does she . . .
How long can they keep up with the lifestyle?
“Fast, wild, sexy and outrageously funny. I loved it” - Russell T Davies
“Paul Burston has written the sharp truth about gay London, cleverly coated in sweet and sour wisecracks” - Will Self
Lovers & Losers
Tony used to be a winner: five consecutive Top Ten hits, a haircut that was imitated by every Top of the Pops fan, and a coke habit that was little short of legendary. Of course this was back in the 80s, when Tony was part of pop duo A Boy and His Diva, singers of the synth-pop classic 'Lovers and Losers'. In 1984 they were the biggest band in Britain. That is before Katrina, the other half of the duo, had her heart broken and the friendship was destroyed. Now in his forties, missing his fame and his hairline, Tony has signed up for a new reality TV show called The Clink. This could be the ideal opportunity to relaunch the band and revive his comatose career. There's just one problem: Tony and Katrina haven't spoken in years. Meanwhile, Katrina is busy arranging a funeral for a cherished friend, and coping with his estranged mother. When Tony knocks on her door, his arrival reopens old wounds and raises some very uncomfortable questions.
Paul Burston's third novel is a wise, witty and evocative novel about the decade of excess, and its many legacies - New Romantics, gender benders, electro-pop and AIDS